Saturday, September 7, 2024

Karen Bellerose

 

Burn Barbie Burn



Walking out after The Barbie Movie I want to roll in the nearest patch of dirt 
sink my low heels in thick slurpy mud that will ooze through my toes 
and into the crevices under my too-long toenails
until the entire earth becomes my shoes and I am grounded.

I crave this feeling like a bad dream wants a pinch
so I can be sure 
that I have escaped the prison of
straight way-too-white teeth, 
perfectly fringed and highlighted bangs
neat clean nails painted pale peach
white shorts with a taut tank top in summer salmon and
the sweet-spicy scent of someone else’s fantasy.

Instead of finding dirt and mud, 
when I leave the theater 
I see a Barbie 
walking in stacked heels down one of only a few paved streets
that have parted the waters of wilderness
looking like she just came out of the box. 

Her shine, her swagger, her unnatural coloring
a reminder of a world that never was. 
A deep sigh escapes me because

I am so weary of glamor

of false beauty and forever 21
of clipped lawns and obedient flowers 
of stone that has been beaten to a perfect square
and made to line up for the benefit of slick shoes and high heels
of superior architecture rising from the graveyard of a fallen aspen family.

The new and improved, to me, is almost always less than
tangled hair that has had a conversation with a bursting breeze
or a scratched arm that bears the touch of an outstretched juniper branch.

Put my bunioned feet in a pair of stinky sneakers
worn flat from following the uneven trails made by deer and elk
and paths made messy by stray twigs and leaves that have fallen 
where no one will pick them up
or blocked by branches that lay where the wind placed them 
or overgrown with life that pushes through in its irregular way.

I love the before where there were only wild flowers and sweet grasses and 
every-shaped stones that have never met a hammer. 
much more than this after, 
this traveling sideshow of superficial spectacle
that I wish would follow that paved road right on out of town.



Karen's SPRUCE and SAGEBRUSH website





Saturday, July 6, 2024

Thinking About Clumps

 



Lately, Art says, 

I've Been Thinking About Clumps


 
and for hours we drive through clumps
of mountains called ranges, clumps
of cars we call traffic, clumps of homes
 
we call towns. We speak in clumps
called subjects as we laugh in clumps
called laughter tokens. And sometimes
 
we’re silent in a flexible clump called silence.
I think of clumps of grief and clumps of joy,
clumps of celebration and clumps of time
 
when I forgot to wonder what comes next.
How many clumps does it take to screw
in a lightbulb? How many clumps make a day?
 
Something so satisfying about the clump.
Humble as dirt on the roots of a tree. Natural
as tufts of wheatgrass in the field.
 
Creative as a clump of atoms that, when infused
with heat from the sun, become a petunia.
Clumps of words make a sentence. Clumps
 
of notes create song. Clumps of time
build a friendship. And what is peace
but a clump of moments when we choose
 
not to fight? What is age but a clump
of memories? What is love but a clump
of surrenders? What is now but a chance
 
to be alive in this wondrous clump we call our life?
 
—Rosemerry Wahtola Trommer, for Art Goodtimes

Wednesday, May 1, 2024

Steve Lewandowski

 


A philosopher-poet who sits on his back porch, shelling peas and asking what about the silent ones, the stones, “those who give themselves to feed us,” Stephen Lewandowski is a man of the soil, obsessed with gardens, lauding Munsell’s Book of Soil Color, sharing stories of tulip poplars, bees, racehorses, gilliflowers and purple cabbage heads. 

Stories that leave a “rich black smear on the mudroom floor.” 

Simple poems that make allusions to the Five Dynasties, to Li Po and To Fu, to farm life and family stories, to blooming pear trees and a hand touching an arm in a doorway “like a dream.” 

Lyric simples to heal the urban ills that surround us.



Saturday, February 10, 2024

Rosemerry Wahtola Trommer



For Eduardo
 


When Bruce Told Me He'd Brought You Your Hearing Aids
 

I thought, good, he can hear what the ICU nurses say.

Then I began to wish for another kind of hearing—

wished you could hear the faithful pumping

of your own loyal heart. Wished you could hear

the snow as it fell outside your window reminding you

of the silence beyond the beeps and alarms

of the hospital room. Wished you could hear

the hundreds of prayers being raised

and chanted for you. Wished you could hear my voice

as I whisper into the candle beside me

saying again and again your name, your name,

wished you could hear all the love rising for you

the way dawn rises, inevitable and beautiful,

the way sorrow gives rise to song.




Tuesday, February 6, 2024

Marie Luna


 

LET ME NOT INTRODUCE MY "SELF"

[In honor of teacher Thich Nhat Hanh, with gratitude]


Let me not introduce my "self"


Let me be the lichen on the rocks you sometimes notice

Before moving on to more interesting sights


Let me be the feathery plants in the water you briefly ponder

What is that? you wonder


I no longer want to be known or remembered

The burning youthful zeal to make a mark has faded


Like initials carved in the aspen as the dry bark shears off

I want to turn to powdery dust, separated from the core


Remember the elk teeth marks on the trees

A log of how high the snow was that winter

Chewing shrubbery and bark to survive

Did they make it through the lean times?


Remember bear cub claws cataloged in an aspen


Wonder about the fate of that bear

How many strawberries did she get to eat

That blissful summer with her mother?


My not self will be there, in the marks of the long gone.


-Marie Luna


Peter Waldor

 


Beginning Polyamory

Peter Waldor is a poet from New Jersey who, after many years of visiting, has made Telluride (CO) his home. We have become good friends and have spent many hours hiking or snowshoeing in the San Juan Mountain we both love (him far more than me). We have performed together and he has published many books to critical acclaim. He has a spate of new books coming out and I wanted to showcase some of the marvelous poems therein.

As I wrote to him after diving into the first of these newbies,  Beginning Polyamory.

I couldn't help dipping into Beginning Polyamory's first 50 pages

Just as some of your marvelous reviewers attest, I found the pieces
"like obsidian ... polished into jewels or napped to the keenest blade"
"concise, even abrupt" with "spare irony" both "elliptical and colloquial"
featuring a "peculiar plainspoken deliberateness" that is "trenchant" and "whimsical"
The Holiness of Lovemaking is serious and First Kiss humorous
Lifestyle is a deep truth
"I guess light or dark / can bring fruit to ripeness" -- YES!
Epistolary, Your Foot -- you capture brief snippets and make them funny, ironic
Dress and Good Luck -- expectations reversed
I especially loved Precipice with its great lines:
"and I can't think of a worse
curse than 'whatever,'
especially when said quietly,
with skill."
Backwards, Fouled It Up, Something Missing, Tee Shirts, Power-Sharing
full of quirky telling details and always fearlessly honest
Size Matters and Hardness maybe risque but so deliciously restrained at the same time
"soft as a rubber / pencil in a magic trick"
Gift of a Cigarette that adds an irrelevant last detail that completes the verisimilitude
Warden, Lovers and Friends, Fifty Years Later
Just a marvelous collection / lyric travelogue through the experience of polyamory

Saturday, November 18, 2023

Rosemerry Wahtola Trommer


Rosemerry at the Gunnison Valley Poetry Festival (2018)
[photo by Art Goodtimes]

Rosemerry is an amazing friend, poet, storyteller and wise woman. Her latest book All the Honey (Samara Press, 2023) is a classic. If you're looking for one book of poetry to buy for the holidays, let me recommend this one.

She has a poem-a-day practice that she shares with folks. I find it invaluable -- uplifting, insightful, spiritually important.


Love Lessons

 

There were thousands of wild iris

in the wide, damp meadow.

Forty years later I remember it, still,

the pale purple petals fluttering

in the morning breeze.

The spring air was cold;

my feet squished in the mud,

and I picked armfuls of iris,

each bloom the loveliest.

I picked and picked

as if dozens of iris could convey

how extravagantly I loved a boy.

Loved him beyond measure.

Loved him meadowfuls.

Whole mountainfuls.

It’s so human to long to express

the inexpressible.

Forty years later, I remember

the immensity of that love—

how it changed me, made space in me

for who I am today.

Love is, perhaps, rhizomic,

like iris, spreading where no one can see.

If you could look inside me now,

you’d find fields of iris, infinite acres.

I still long to pick dozens for my loves,

even hundreds, though now I also trust

how sometimes a single stem

says everything.


I especially love  Love Lessons because my eldest daughter's name is Iris


One Sacredness


an altar for wonder—

that small pause

before you speak


Her short poems dive deep


After a Rogue Hard Frost in Late June


The usual suspects wilt and die.

Basil, of course, and beans. Potatoes.

Zinnias. Nasturtiums. Marigolds.

I find myself staring at the beet greens,

spinach, and arugula, marveling

at how they thrive, impervious to cold.

 

I have a craving for resilience.

I pull the dark leaves to my mouth,

devour the green communion.

It tastes like survival, so bitter, so bright.


Her poems of the natural world are full of awe


Tonight I Remember


how he resisted learning

to tie his own shoes,

how I cheered

when he learned

to pinch the laces

between his fingers,

knotting and looping

and pulling them tight,

making a bow

that would stay.

How I encouraged

the very thing

that allowed him

to walk away.

Oh, sweet woman

I was then,

beginning to learn

letting go.

Now that he’s gone,

I’m a student

of being loosened,

untied, undone,

still practicing

how to let him go.


And her poems of grief are truly transformative.


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