who wants small circles
when bigger circles make waves
maybe that’s the point
Tracking the lyric valuables in the shadow of Lone Cone on Colorado's Western Slope
The Senate and the House of Representatives passed my bill to establish the Amache National Historic Site, a World War II-era Japanese American incarceration facility outside of Granada, Colorado, as part of the National Park System. On Monday, I spoke on the Senate floor and passed this legislation with the support of all 100 senators.
The bill now heads to President Biden’s desk as a result of the tenacity and hard work of Amache survivors, descendants, the National Park Service, and community leaders.
I’ve often said that American history is the story of a struggle between humanity’s highest ideals and our worst instincts. Amache serves as an important reminder of this contrast – our government locking up its own citizens on the one hand, and Japanese Americans holding onto hope that we can move past this dark chapter in our nation’s history on the other.
This weekend, I joined Interior Secretary Deb Haaland for a roundtable discussion and a tour of Amache with survivors, descendants, community leaders, and the National Park Service to mark the 80th anniversary of the executive order that began the forced internment of 120,000 Japanese Americans.
This moment is a testament to the resilience of Coloradans like John Hopper, a high school principal in Granada, and his students, who led the tour of Amache yesterday. John and his students have been taking care of this site for decades, collecting items from all over the world that former prisoners have sent back to ensure the next generation of Coloradans learn about what happened at Amache
I’m grateful to have worked with Senator John Hickenlooper, Congressman Joe Neguse, and Congressman Ken Buck to make sure Amache will have the resources and recognition it deserves for years to come. Amache matters to Colorado, and I look forward to seeing the president sign this important legislation into law.
[Graphic by Rafael Jesús González]
[Graphic by MaryJoy Martin]
Western Civilization
Driving in the dark
Trying to get home
My eyes are heavy
The headlights are harsh
And I feel sad
that I can't see the moon
-Hannah Helfer
THE SERVICEBERRY:
AN ECONOMY OF ABUNDANCE
My good friend Kerry Yates of San Francisco turned me on to the
Itki's an amazing free multimedia platform for educators and students showcasing immersive storytelling and curricula. Our good friend and teacher Robin Wall Kimmerer has an important essay that you can find on the Global Oneness site HERE.
I wanted to share this essay on my site for those interested in her work, which I think is among the most important wisdom writing being done in our times. Reciprocity was at the core of the Way of the Mountain that Dolores LaChapelle of Silverton taught a number of us here in the San Juans.
As Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from Indigenous wisdom and ecological systems to reimagine currencies of exchange?
(Photo by Art Goodtimes of Robin at a lecture in Telluride)
The cool breath of evening slips off the wooded hills, displacing the heat of the day, and with it come the birds, as eager for the cool as I am. They arrive in a flock of calls that sound like laughter, and I have to laugh back with the same delight. They are all around me, Cedar Waxwings and Catbirds and a flash of Bluebird iridescence. I have never felt such a kinship to my namesake, Robin, as in this moment when we are both stuffing our mouths with berries and chortling with happiness. The bushes are laden with fat clusters of red, blue, and wine purple, in every stage of ripeness, so many you can pick them by the handful. I’m glad I have a pail and wonder if the birds will be able to fly with their bellies as full as mine.
This abundance of berries feels like a pure gift from the land. I have not earned, paid for, nor labored for them. There is no mathematics of worthiness that reckons I deserve them in any way. And yet here they are—along with the sun and the air and the birds and the rain, gathering in the towers of cumulonimbi. You could call them natural resources or ecosystem services, but the Robins and I know them as gifts. We both sing gratitude with our mouths full.
Part of my delight comes from their unexpected presence. The local native Serviceberries, Amelanchier arborea, have small, hard fruits, which tend toward dryness, and only once in a while is there a tree with sweet offerings. The bounty in my bucket is a western species—A. alnifolium, known as Saskatoons—planted by my farmer neighbor, and this is their first bearing year, which they do with an enthusiasm that matches my own.
Saskatoon, Juneberry, Shadbush, Shadblow, Sugarplum, Sarvis, Serviceberry—these are among the many names for Amelanchier. Ethnobotanists know that the more names a plant has, the greater its cultural importance. The tree is beloved for its fruits, for medicinal use, and for the early froth of flowers that whiten woodland edges at the first hint of spring. Serviceberry is known as a calendar plant, so faithful is it to seasonal weather patterns. Its bloom is a sign that the ground has thawed and that the shad are running upstream—or at least it was back in the day, when rivers were clear and free enough to support their spawning.
The derivation of the name “Service” from its relative Sorbus (also in the Rose Family) notwithstanding, the plant does provide myriad goods and services. Not only to humans but to many other citizens. It is a preferred browse of Deer and Moose, a vital source of early pollen for newly emerging insects, and host to a suite of butterfly larvae—like Tiger Swallowtails, Viceroys, Admirals, and Hairstreaks—and berry-feasting birds who rely on those calories in breeding season.
In Potawatomi, it is called Bozakmin, which is a superlative: the best of the berries. I agree with my ancestors on the rightness of that name. Imagine a fruit that tastes like a Blueberry crossed with the satisfying heft of an Apple, a touch of rosewater and a miniscule crunch of almond-flavored seeds. They taste like nothing a grocery store has to offer: wild, complex with a chemistry that your body recognizes as the real food it’s been waiting for.
For me, the most important part of the word Bozakmin is “min,” the root for “berry.” It appears in our Potawatomi words for Blueberry, Strawberry, Raspberry, even Apple, Maize, and Wild Rice. The revelation in that word is a treasure for me, because it is also the root word for “gift.” In naming the plants who shower us with goodness, we recognize that these are gifts from our plant relatives, manifestations of their generosity, care, and creativity.
When we speak of these not as things or products or commodities, but as gifts, the whole relationship changes. I can’t help but gaze at them, cupped like jewels in my hand, and breathe out my gratitude.
In the presence of such gifts, gratitude is the intuitive first response. The gratitude flows toward our plant elders and radiates to the rain, to the sunshine, to the improbability of bushes spangled with morsels of sweetness in a world that can be bitter.
Gratitude is so much more than a polite thank you. It is the thread that connects us in a deep relationship, simultaneously physical and spiritual, as our bodies are fed and spirits nourished by the sense of belonging, which is the most vital of foods. Gratitude creates a sense of abundance, the knowing that you have what you need. In that climate of sufficiency, our hunger for more abates and we take only what we need, in respect for the generosity of the giver.
If our first response is gratitude, then our second is reciprocity: to give a gift in return. What could I give these plants in return for their generosity? It could be a direct response, like weeding or water or a song of thanks that sends appreciation out on the wind. Or indirect, like donating to my local land trust so that more habitat for the gift givers will be saved, or making art that invites others into the web of reciprocity.
Gratitude and reciprocity are the currency of a gift economy, and they have the remarkable property of multiplying with every exchange, their energy concentrating as they pass from hand to hand, a truly renewable resource. I accept the gift from the bush and then spread that gift with a dish of berries to my neighbor, who makes a pie to share with his friend, who feels so wealthy in food and friendship that he volunteers at the food pantry. You know how it goes.
How we think ripples out to how we behave. If we view these berries, or that coal or forest, as an object, as property, it can be exploited as a commodity in a market economy. We know the consequences of that.
Why then have we permitted the dominance of economic systems that commoditize everything? That create scarcity instead of abundance, that promote accumulation rather than sharing? We’ve surrendered our values to an economic system that actively harms what we love. I’m wondering how we fix that. And I’m not alone.
Because I’m a botanist, my fluency in the lexicon of berries may not easily extend to economics, so I wanted to revisit the conventional meaning of economics to compare it to my understanding of the gift economy of nature. What is economics for anyway? It turns out that answer depends a lot on who you ask.
On their website, the American Economic Association says, “It’s the study of scarcity, the study of how people use resources and respond to incentives.” My son-in-law teaches high school economics, and the first principle his students learn is that economics is about decision-making in the face of scarcity. Anything and everything in a market is implicitly defined as scarce. With scarcity as the main principle, the mindset that follows is based on commodification of goods and services.
I’m way past high school, but I’m not sure I grasp that thinking, so I fill a bowl with fresh Serviceberries for my friend and colleague, Dr. Valerie Luzadis. She is an appreciator of earthly gifts and a professor and past president of the US Society for Ecological Economics.
Ecological economics is a growing economic theory that expands the conventional definition by working to integrate Earth’s natural systems and human values. But it has not been standard practice to include these foundational elements—they are usually left out of the equation. Valerie prefers the definition that “economics is how we organize ourselves to sustain life and enhance its quality. It’s a way of considering how we provide for ourselves.”
The words ecology and economy come from the same root, the Greek oikos, meaning “home” or “household”: i.e., the systems of relationship, the goods and services that keep us alive. The system of market economies that we’re given as a default is hardly the only model out there. Anthropologists have observed and shared multiple cultural frameworks, colored by very different worldviews on “how we provide for ourselves,” including gift economies.
As the berries plunk into my bucket, I’m thinking about what I’ll do with them all. I’ll drop some off for friends and neighbors, and I’ll certainly fill the freezer for Juneberry muffins in February.
This “problem” of managing decisions about abundance reminds me of a report that linguist Daniel Everett wrote as he was learning from a hunter-gatherer community in the Brazilian rainforest. A hunter had brought home a sizable kill, far too much to be eaten by his family. The researcher asked how he would store the excess. Smoking and drying technologies were well known; storing was possible. The hunter was puzzled by the question—store the meat? Why would he do that? Instead, he sent out an invitation to a feast, and soon the neighboring families were gathered around his fire, until every last morsel was consumed.
This seemed like maladaptive behavior to the anthropologist, who asked again: given the uncertainty of meat in the forest, why didn’t he store the meat for himself, which is what the economic system of his home culture would predict.
“Store my meat? I store my meat in the belly of my brother,” replied the hunter.
I feel a great debt to this unnamed teacher for these words. There beats the heart of gift economies, an antecedent alternative to market economies, another way of “organizing ourselves to sustain life.”
In a gift economy, wealth is understood as having enough to share, and the practice for dealing with abundance is to give it away. In fact, status is determined not by how much one accumulates, but by how much one gives away. The currency in a gift economy is relationship, which is expressed as gratitude, as interdependence and the ongoing cycles of reciprocity. A gift economy nurtures the community bonds which enhance mutual well-being; the economic unit is “we” rather than “I,” as all flourishing is mutual.
LEARNING HOW TO DYE WITH FUNGI
I just got my ticket to attend the 19th International Fungi & Fiber Symposium at Fort Worden in Port Townsend (WA) October 16-22, 13022 [Western Slope Calendar]. The amazing Alissa Allen, who comes to the Telluride Mushroom Festival, is one of the organizers.
Alissa is the founder of Mycopigments, and has been sharing her passion for mushroom and lichen dyes and collaborating with other dyers for over 15 years. She has written articles for the Fibershed blog and Fungi magazine, as well as having created two active discussion groups: "Mushroom and Lichen Dyers United" and the "Mushroom Dyers Trading Post." She is dedicated to furthering the art and science of dyeing through community engagement, open discussion, and friendly encouragement. Her focus is studying regional mycoflora and using their colorful dyes to entice people to pay closer attention to the role fungi play in our lives. Follow her HERE
Basketry with yarn is my passion. Although I managed back in the Seventies to take a class with famed Pomo basketweaver and Indigenous Wise Woman Mabel McKay, I don't use traditional materials. Not only is itki a full-time job harvesting and preparing roots and bark, but since most weaving is done while the fibers are wet (so that they tighten when they dry), arthritis was endemic among Indigenous basketmakers. So that didn't seem wise, even if I had the time and access to native plants. That was one disincentive, along with respect for a tradition that wasn't mine. Mabel said she never wove a basket she didn't dream first.
However, color is something that's fascinated me since my First Grade teacher Miss Purse made us first period pledge for the principal "I Like Ike" and told me that I had no sense of color. While true I did not excel at drawing, early discouragement can have lasting effects. In this case itki became a kind of life challenge. Writing did become my main artistic medium, but weaving has always been my fall-back art form. Mostly because I love experimenting with COLORS. I carry a weaving basket with me almost everywhere. In politics I wove during meetings to help me stay focused and listen to hours of often boring testimony, bureaucratic reports, etc.
I use a simple wrap&tie coiling technique. Each basket is a combination of intent, random mistake/opportunities, and availability of yarns. And actually they're meant as "wall mandalas" to bless a home. Mostly I give them away to friends, county retirees I liked, and folks getting married.
I've used a few mushroom-dyed yarns in the past, but I've always wanted to learn how to make my own dyes from the plentiful mushrooms that grow in the San Juans. I'm excited to learn this coming fall from some of the world's masters.
If you're interested, go HERE to sign up. I'm thinking of driving out from Colorado in October and will be looking for riders.
Seventeen cups poured
warm into an earthen pot
Drunk. Absorbed. Poured back
Lyric feeding leaf
Itki's hyphae kinning us
muscle to mushroom
BARDIC TRAILS ... If you missed the Bardic Trails where I got to read for a bit along with our Talking Gourds audience, you can access it HERE.
You will need this Passcode to access the zoom site: B@rdicFeb1
LINDA HOGAN ... If you missed the Telluride Institute's Indigenous program's presentation of poetry and discussion with this Indigenous writer and animal activist, you can watch it HERE
Craig Childs noted on his FB page: "Wonderful to hear Linda Hogan reading her poetry, and musing about how rocks are alive; she’s heard them call her name. When I asked if rocks are sentient, she said of course, as if nothing were more obvious. Linda talked about being a warrior and how her people, Chickasaw, traditionally have a war chief and a peace chief, making me think how much we could use a Department of Peace in this country, in our counties, families, in ourselves. Anything she writes, find it, read it, life will be better for it."
Here's some other comments in the Chat Box from Hogan's Zoom:
Celeste Labadie
She’s amazing! Rocks have spoken to me as well. (And to you too).
Jeanne Treadway
John Kasich actually had the idea (Department of Peace) mapped out and ready to implement if he won the presidential election.
Luis Alberto Urrea
Love her.
Amber Dawn Strong
about twenty years ago, when Barnes and Noble built in Flagstaff , there were people protesting the corporate book store coming in. Now they're closing down . The people working there said it was due to too much competition from Amazon. Across the street, at Bookman's, it was quite busy, lots off shoppers and coffee sippers. Amelia found her anime books and Mort found some old USGS maps
Michael Kannard
Yes. It was a very interesting talk. Had to laugh when she misunderstood you, thinking you wanted her to send you her rock collection
Laura Kamala
Way back when in Moab, if you wanted to subscribe to the Stinking Desert Gazette, you had to check the box that said, “Yes, I believe the rocks are alive!”
David Gessner
Linda's class thirty years ago is, more than anything else, what led me to writing about birds. I wrote about it in the Thoreau book: “Pick an animal. Any animal.”
The words came, not from a magician, but from Linda Hogan, my teacher in a creative writing class at the University of Colorado.
I picked a common enough animal, a great blue heron, and following Hogan’s assignment, spent two weeks watching it, sketching it, taking notes on its movements. And…and, how to put this? Well, it changed everything. The assignment had seemed straightforward, dull. But it turned out to be anything but. It turned out to be thrilling.
Ellen Metrick
That was a wonder-full, meditative evening with a well-lit being. Many well-lit beings! I loved the sentience of rocks, too, and star stories, and the knowing of whales, the yearnings of dolphins.
If you like your haiku funny, check out the Robert Report's latest from the New Yorker HERE
WHALE POEM
I met Indigenous elder Adeline Raboff many years ago when I was traveling in Alaska and connected with Dr. Jim Kari. A linguist specializing in Athabascan languages, Jim is currently retired from the Alaska Native Language Center. Back then he knew about a moose hide that a hunter had left in the forest. Jim asked me to help carry the heavy load out of the muskeg. He explained that he wanted to take itki to his native friend who would cure the hide and make good use of itki.
We did, and all of us became friends. Recently Adeline sent me a poem she wrote and then a translation of the poem from English into Inupiat by her friend Doreen Simmonds.
Whale was born
in the warm waters
of his mothers’ guidance
And whale
whale himself
spread his joy
into the freezing waters
and ice flows of
the North Sea
Siqiññaatchiaq
(Adeline Raboff, 2021)
SNOWSHOEING
After two years of hiding (mostly indoors) & healing, getting out to exercise has been my reward. I've skied before and have enjoyed itki, though I came to sliding down mountains late. At 70 almost 7 itki's not that I'm afraid exactly. Whizzing along groomed slopes at dizzying speeds has itki's appeal, for sure. But without a reservoir of early experience under my belt, for me racing down trails is not only tricky but trouble.
But I love ambling through a landscape frozen in place.
My cross-country skis & boots have vanished. But I was gifted a pair of marvelous snowshoes last year. Twice this week I got to hike with pals into the twinkling micro-rainbows of the backcountry crust. Plodding slowly along. Taking in the brisk air. The bright glare. The brilliant silence.
幸
PETER XING ... Of the 10,000 things that Xing can mean in Chinese, I think my good friend's non-de-plume leads with "happy, fortunate." Writers, singers, poets have a habit of taking a name different than what they were given. Bob Dylan. Lawrence Ferlinghetti. Madonna. Others employ an alter ego (echo). Mr. Bones. Wild Rose. The Red Monk ... Xing has a chapbook of poems of the San Juan Mountains that remind me of the hermit poets of the Six Dynasties period ... He has many chapbooks of poetry, in truth, & ten more manuscripts in the works. "Obey emerging form" ... One latest volume that I love speaks to his explorations of the San Juans & the avalanche of loss that accompanies old age: Unmade Friend: Elegies (Finishing Line Press, Kentucky, 2021) ... To find out more about Xing's poetry, visit his website HERE
“Gathering chrysanthemums at the eastern edge...
Sunset glows through the mountain mists
I forget what I was going to say
before I even argue.”
-Tao-Yuanming (Eastern Jin dynasty 317-420)
MR PETER "PETE" SILVERTON ... Itki'd be hard to spin a believable yarn if a Berkeley hippie feather craftsperson were to spend 20 years as county commissioner in Colorado's San Juan County, next door to San Miguel County where a San Francisco hippie mushroom poet is also spending 20 years as county commissioner -- both of them in Colorado's Third Congressional District (a once-purple bastion currently represented by sitting U.S. Rep. Lauren "Shoot-em-up" Boebert [R-Rifle]) ... Way too weird. But true.
During Gov. Ritter's term as governor, we composed two-thirds of what he called "the Ponytail Caucus." Along with La Plata County's hippie llama farmer, the Honorable Wally White. We'd be the only ones to stand up and applaud at his obligatory Club 20 appearances in Grand Junction ... The three of us were good friends. Two Dems & a Green. Helped each other out some. Pissed each other off occasionally. But together represented a razor-thin minority resort-town demographic on Colorado's flushed red Western Slope.
Pete was a master of bridging the gap between old West miner rednecks & new West urban refugees. He'd catch a meeting-full of abuse from conservative citizens & sometimes even colleagues, outraged at his proposals. But he still managed -- via hard work, theater, research & personal charm -- to convince his fellow commissioners to vote with him on important motions. Wolverine reintroduction. Employee housing. Master plan changes.
One secret ally was his late wife Pat -- a political genius behind the scenes. And maybe, humble fellow that Pete is, he too found his niche working behind the scenes, not out making a name for himself ... For a couple years he & I collaborated on OHV regs & alpine rangers for the tourists in the high country between the two counties (particularly underage, unlicensed youth), trying to mitigate the deadly accidents, which over the years took the lives of multiple flat-landers unused to mountain jeep tracks.
And just to pile itki on a bit, I have to show what kind of "politician" we are dealing with here ... In Colorado the legislature determines how much county commissioners get paid. But itki's the local citizens who do the paying. San Juan County -- composed of one town, Silverton -- was so small & so poor that for two decades Pete only took half his allotted salary. Giving half of the money back to the people.
We spent this Saturday snowshoeing Busted Arm Draw. Talking. Trading memories. Reflecting on decades of friendship, political brou-ha-has, & the meaning of everything & nothing.
AROUND THE CONE ... Impressive how business at the new Mesa Rose in Norwood is starting to pick up ... Itki was unfortunate when the cooperative food Hub had to close, as the non-profit had for several years provided organic & locally-produced meats, fruits, vegetables, cheeses, eggs & a whole gamut of alternative nutritional choices ... The opening of Mesa Rose has filled the gap, providing Wrights Mesa's commercial center a breakfast meeting place, coffeehouse, bakery & mini-Hub grocery ... The county's mask mandate being lifted hasn't hurt any. Covid's emergency measures have wearied us all.
BEYOND THE CONE ... Hard to believe neither the Norwood Post nor the Telluride Daily Planet bothered to check the sheriff's log last fall. But then, ever since the corporate media types broke into the Telluride market & ran the local Telluride Watch out of business, San Miguel County's (un)local newspaper monopoly (despite some fine writers) seems more interested in full page real-estate ads than community news ... Itki took the excellent statewide online Colorado Sun to break the story of the Black Hammer folks who tried to buy a lot & establish a visionary cooperative compound in the Beaver Pines subdivision east of Norwood. Of the armed confrontation. The standoff with loaded revolvers & an unloaded shotgun. Interview with Sheriff Bill. The subsequent failure of the sale & the scattering of the group's members ... High drama in the shadow of Lone Cone.
OUT OF THE ARCHIVES ... 40+ years in San Miguel County. As a journalist & then an elected official. Member of over 50 boards and commissioners. Poet, columnist, social activist. I've amassed quite a collection of artifacts, documents, poems & graphics. Plan is to share an occasional item-of-interest in this blog with what turns up as I begin reorganizing after my recent brush with last breath ... Maybe make Out of the Archives a feature of future Union of Mountain Poet posts ... First installment -- in honor of my buddy Pete McKay -- let's go back to the byways of Berkeley. 1974. Thorp Springs Press brings out a slim 28-page chapbook The CIRCUS, selling for $1.00, by soapbubble street poet Julia Vinograd. The last piece in the chappie is one of my favorite hermit poems of all times (in spite of itki's poem title misspelling -- Graffitti):
Bathrooms inspire me
I write my best poems
with my pants down