Photo by Wendy Videlock
Tracking the lyric valuables in the shadow of Lone Cone on Colorado's Western Slope
Sunday, September 18, 2022
Goodbye Laurie James
Sunday, September 4, 2022
Pandora's Amphora #3
Ed Werner's Off the Wall Sculpture Show
OFF THE WALL ... Ed Werner was one of the first folks I met in Telluride. In fact, I held my first poetry reading in Telluride while house-sitting his and Lisa's rental in town on North Spruce Street. And later the old Telluride Writer's Guild put on a gala poetry event in Fall Creek at his home there ...
But he moved to Ridgway when he and Lisa split up and has been living there for the last couple decades ... His sculptures have always been challenging pieces -- well made but full of irony and sometimes dark energies...
His recent show at the Trace Gallery in Ridgway was no different. Less new pieces and more things he's pulled from his collection of pieces he's had in storage for many years. But nevertheless impressive.
I've always loved his work for his critique of American culture and his precision fabrication skills. For many years he did fine carpentry in Telluride and the region from his workshop in Fall Creek. More photos from his show appear at the end of this column.
CHILE VOTES NO ... Itki was a sad day for progressives in Chile as the country overwhelmingly voted down a new Constitution to replace the one crafted by the dictator Gen. Pinochet and, unfortunately, still now in effect after this election. Read what the Guardian of Britain had to say about itki HERE.
QUOTABLE ... "My favorite definition of poetry has always been from Ezra Pound: 'language charged with meaning.' slightly repurposed from ABC of Reading; packing twice, maybe ten times as much into as many words as the party smalltalk line. A poet might use tropes and allusions to accomplish this, but ultimately the most powerful tool they can use is the musical sound of the words themselves" ... By Colorado poet Uche Ogbuji, from his newsletter, Loomiverse
TALKING GOURD ... Found this lovely poem online at Silver Birch Press’s “How To Heal the Earth” series. Mistakes are how we learn and Mary McCarthy does both in a most moving way. We had a passionflower vine at one of the houses I lived at as a youth. It is a stunningly beautiful plant. Find out more about Silver Birch Press HERE.
Gulf Fritillary on Passionflowers (Photo by Gwillhickers). |
MY MISTAKE
When an army of hungry
orange and black caterpillars
stripped bare half
my passion flower vine
almost overnight
I saw nothing but
their ravenous appetite
their warning armor
of black spikes.
I pulled them off
one by one
the way I would pluck
big green hornworms
from my tomato plants,
and crush them with
a booted foot.
Too late I learned
these were the larva
of the Gulf Fritillary
butterfly, a beauty,
and passion flower vine
not merely its favorite
but its only host.
How could I refuse them
their necessary food
after planting milkweed
for the monarchs,
shunning pesticides
and fertilizers,
learning to love
those humble plants
whose virtues go unnoticed
because they are not showy?
I had no excuse
for extermination,
doubly wrong
because even this hungry army
can only curb, not end
the rampant growth
of its chosen host
limiting its kudzu ambitions
enough to allow recovery–
While my murderous efficiency
could upset the essential
balance, worm and vine,
lives so absolutely
intertwined.
Mary McCarthy is a retired Registered Nurse who has always been a writer. Her work has appeared in many journals and anthologies, most recently in The Plague Papers, edited by Robbi Nester, The Ekphrastic World, edited by Lorette Luzajic, the latest issue of Earth’s Daughters and Third Wednesday. She has been a Best of the Net and a Pushcart nominee. Her digital chapbook is available as a free download from Praxis magazine.
Thursday, September 1, 2022
Make America Normal Again
MASKS
No one in Norwood, even in the clinic
(except the dentist & her whitecoats)
still wear masks, though probably itki’d be
safer if we all did that, but God forbid!
We’re mask-weary Americans, hardly be-
leaving the other end of the titter-tottering
urban bread & rural water. But ready to be
at least normal again, as if we ever could
be wise be wary be aware or not to wear the
questions that come tumbling down, circling
round & flooding our cautions. Thinking the Herd
Elections. Abortions. Nothing to hide us from
eye to eye, facing off
with each odd other
____________________________________________________________________________________
Saturday, August 27, 2022
Pandora's Amphora #2
SHROOMFEST42... A marvelous year. Everything came together ... The afternoon monsoons started in early July amidst a record drought and haven’t stopped yet. Warm days heated the soil at altitude ... Britt Bunyard gathered a wonderful group of presenters. Festival staffers (calling themselves Team Cooperation) Ashley Smith, Matt Guertin and Teal Stetson-Lee got operations under firm control for the smoothest production in years. The Telluride Institute’s Team Mushroom provided decision-making oversight. Over 500 people bought passes ...
Sunny days alternating with late day rains made perfect foray weather. The lectures were extraordinary, particularly those of Mark Plotkin, Giuliana Furci, Tradd Cotter and Irene Dubin, as well as John Michelotti, Peter Hendricks, Lauren Czaplicki, and Bryn Dentinger, Louie Schwartzberg’s new film “Gratitude Revealed” had many of us crying in our seats, awed by the beauty. The MycoLicious MycoLuscious MycoLogical Poetry Show had itkis audience riveted to the performances. John Sir Jesse and Katrina Blair had very successful dinner specials. The vendors brought a whole new level of myco-surprises and delights. My favorite was PACT -- a toolkit for pooping in the woods: visit there website HERE...
Riitta Ikonen offered a delightful costume playground (aka “workshop”) pre-parade. The parade was spectacular and the djembe drum & dance circle in the Town Park was ecstatic thanks to West African master Etienne Tolno with Skyler Hollinbeck and his crew of locals ... And that’s just some highlights. The entire week was magical with many other wonderful people, events and interactions. Kudos to all.
PAUL STAMETS ... Our great Fungophile sent a wonderful video to this year's event from his home in British Columbia and honored me with this short segment.
“I can't express to you all how much it means to me that you keep the TMF alive (and thriving!) As Rick Hollinbeck said (and to paraphrase/mirror his words), to many of us, it is as much a giant family reunion as it is a festival. I am closer to so many people I see in Telluride once a year than I am to many people I see almost daily. There is some bitter sweet for the people who are no longer with us but their legacy that you all keep alive brings me literally to tears of emotion when I think about it (yes, my vision is blurry and my cheeks are wet as I write these comments). So from me, and so many others, to every one of you and your volunteers and everyone at the Telluride Institute, THANK YOU! from the bottom of my heart and soul.”
The kids have grown up with the festival and Rick & Marty have been with us since day one. Congratulations to my Norwood homies.
FASCINATING FACTOID ... According to the brilliant Dr. Bryn Dentiger of the University of Utah, what we have started calling Boletus rubiceps may be an incorrect name, and what we actually have is a variety of B. edulis after all. Taxonomy is perhaps the most confusing of all disciplines in the mycological world ... However, Bryn is no dogmatist and suggests we call mushrooms whatever we like, depending on the context we’re in. So, in the field, if not in the lab, I’m calling one of my favorite mushrooms the redhead, taxonomists notwithstanding.
INDIGENOUS CRITIQUE ... Graeber & Wengrow’s The Dawn of Everything (Farrar, Straus and Giroux, 2021) – easily the most important historical treatise I’ve read since Dolores LaChapelle’s Sacred Land Sacred Sex Rapture of the Deep (Finn Hill Arts, out of print) – documents the fascinating argument that itki was the Indigenous North American critique of Western Civilization, as was encountered after Columbus, that led directly to the Enlightenment and the American and French revolutions. A must read ... If you don’t know the Wendat Philosopher-Statesman Kandiaronk as described by Louis Armand, Baron de Lahonton, in the early 1700s in New Voyages to North America, read Robin Wall Kimmerer’s Braiding Sweetgrass to learn what Indigenous Wisdom means.
-Kathleen Cain
Sunday, August 14, 2022
Pandora's Amphora #1
Fen study continues in prospect basin
Remembering Finn Thilo Trommer
Rosemerry, Finn's mother, has been writing through her loss and grief and helping us all understand the power of love to overcome even the most devastating of tragedies. Many of you came join us for this memorial to honor Finn and how he touched us. Here is one of the many poems Rosemerry has written in the wake of his passing:
The Unheard
I do not hear his shrieks of laughter
escaping from his room.
I don’t hear his hand beating time against the table.
I don’t hear the luff of his breath
as I stand beside him while he sleeps.
I don’t hear the fear in his voice
when he begs me, please mom, please.
I hear the rain on the rooftop,
a morse code of love I don’t know how to translate
except in shades of green.
I hear cars on the highway,
and remember life is moving.
I hear the whir of the hummingbird wings
and the black notes of crows
and the silence where the boy
no longer grows.
If you ask me do I hear his voice,
I would tell you no.
But that is only partly true.
I do not hear his voice in words.
I don’t hear it the way perhaps I wish to.
But I hear him inside me, not a whisper,
but a voice that sounds startlingly like my own,
a voice that sounds like rain on the roof,
like cars on the highway, like hummingbird wings,
like crows, like the silence
where my love for the boy still grows.